{"id":66,"date":"2013-05-22T09:11:52","date_gmt":"2013-05-22T16:11:52","guid":{"rendered":"http:\/\/boykonpiano.com\/?p=66"},"modified":"2013-06-18T13:23:22","modified_gmt":"2013-06-18T20:23:22","slug":"kind-of-sort-of","status":"publish","type":"post","link":"http:\/\/boykonpiano.com\/archives\/66","title":{"rendered":"Kind-of, Sort-of"},"content":{"rendered":"

You have that new Beethoven in your hands—kind-of, sort-of. You’ve worked out the technical problems—kind-of, sort-of. And you’re getting nowhere. You have the "What Now?" Syndrome, and you’re wondering what to do next to improve.<\/p>\n

Try Phrasewise Memorization<\/i>: Play a phrase once, perfectly, with the score. Play it once, perfectly, without the score. Go on to the next phrase.<\/p>\n

That crescendo to a subito piano on the downbeat is typical of Beethoven. Can you get its full impact by playing the crescendo as though it will go through<\/i> the downbeat?<\/p>\n

The two-against-three sounds mechanical. It should luxuriate!<\/p>\n

That left-hand staccato is compromised by the pedal you use for the right-hand legato. What options do you have?<\/p>\n

So, there’s more to playing this phrase perfectly than you had realized; but on the fifth try, you do it. STOP! Do not do it again! Close the score, or turn the page. Now<\/i> do it again. It’s perfect on the first try? STOP! Do not do it again!<\/p>\n

 <\/p>\n